Ever since I started using Zbrush I’ve wondered what it would be like to create a caricature using it. Recently I was lucky enough to be commissioned to do such a thing.
Surprise! Surprise! It turns out that Zbrush is ideal for creating caricatures. With this piece I used Zbrush to get the bulk of the head likeness sculpted, before bringing it into Photoshop to apply colour and paint the body and setting. I’m looking forward to applying this technique to caricatures of the rich and famous as part of the Caricaturama Showdown 3000 on facebook.
Had an hour spare and put it to good use by finally getting a caricature done for the Caricaturama Showdown 3000 group on Facebook. Take a look at my image as well as many other fine arts here.
At last! Usagi Yojimbo makes an appearance in the OzComics.com sequential challenges. This was a quick drawing I did last night using the Brush pen and fine liner, as well as a little white paint pen, which turned out to be really useful. Not only did it white out the blacks, but I could then reapply the blacks over it and you couldn’t tell the difference. It literally behaves like liquid paper. The pose for this image is a homage to the great Toshiro Mifune and his ronin character that he played in Kirosawa’s Yojimbo and Sanjuro. Great films. Check them out!
This piece was done for another OzComics.com weekly challenge. There’s a bit more to it this time because one of the more popular images will be included in the Graphic Novel that is being made with the help of Pozible. It’s called Sebastian Hawks – Creature Hunter and if you want to know more or contribute you can find it here.
Once again I’ve used this as an exercise in refining my comic style. I’m definitely getting a good feel as to what works and what doesn’t, however something like this level of embellishment would be more suited to the cover than the panels. If you’re interested in seeing this image included in Graphic Novel, please head on over to the OzComics.com gallery and ‘like’ it.
Here’s this week’s OzComics entry. A bit of Wolverine taking on the Juggernaut. Similar screen tone approach as previous entries. Just trying to really nail down my technique for a bit of comic work I’ve got in mind. On this occasion I did the roughest of pencil sketches and took them into the tablet quick smart before drawing it up digitally, rather than doing a fairly finished pencil version, as is usually my method.
A quick Superman image for the OzComics.com challenge this week. He’s never been one of my favourite Super Heroes, but I felt like having a crack at him. As ever, it’s telling a snippet of a story, albeit a daft one.
This one began life as a sketch in my pad before being transferred to my ASUS Slate tablet PC. Having purchased the kit over half a year ago, I had been neglecting it. I picked it up again when I went for a Drink’n’Draw session last week and I really felt we bonded, finally.
This week’s OzComics.com challenge was Batman. How could I pass up this opportunity?
I started sketching in the old drawing pad, searching for a look that I liked. Having come up with this angular design I then set upon the task of designing my version of the Batmobile and could think of no better car to base it on than the classic over the top ’80s supercar, the Lamborghini Countach. Being a rather angular shape already, it leant itself well to the ride of choice for this particular Dark Knight.
Drive was not the movie that I though of aping at first. I did toy with the idea of doing a version of the Beverly Hills Cop cover with Batman sat casually on the bonnet of his motor. I was halfway through this one and on the brink of redesigning when the whole Drive thing sprang to mind, which was a relief. Having spent a lot of time on the Star Wars cover I was quite keen to keep this one to a more manageable timeframe. And because Drive is a cracking movie.
This week’s challenge on OzComics was to do a cover for a Star Wars comic complete with title, publisher details and contributors. There are so many iconic scenes from the series, especially the original trilogy, but I chose the moment Luke beats Darth Vader to the ground and severs his hand.
With this image I tried to capture the power that Luke now has over Vader, but also Luke’s shock at the realisation of what has just happened, finished off with the sinister Emperor looking on.
The image has come out well. I’m especially fond of the composition. The background is a bit simplistic but it serves its purpose. The judge of the competition is a writer for Dark Horse comics called Tom Taylor. Fingers crossed he likes it. The entries are pretty strong this week. Wish me luck!