Author Archives: Nick Smith

PMC 3D Print

 

Having sculpted this wee chap in Zbrush and painted him up a few weeks ago, I was damn keen to get him 3D printed. I uploaded him to i.materialise.com and purchased a print about a week ago and today he arrived on my doorstep.

There’s something satisfying about holding a tactile incarnation of a character you’ve designed in your hand. It taps into that childlike urge to hold and manipulate and examine things. It’s so much better than just seeing it on screen. It feels like the logical conclusion of the fascination that first inspired me to start drawing pictures of the toys I had when I was a kid. All I know for sure is that it puts a smile on my face.

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Thor

Created for the OzComics.com Thor challenge.

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PMC

 

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Having been inspired by my visit to Wellington and the powers of Zbrush, it’s taken me a surprising amount of time to get something new done. This is a little character I’ve had in the pad for a while and I thought it would make a great project to stretch my Zbrush skills a bit more. The creation of this character required getting to grips with a lot of new facets of Zbrush, such as merging multiple subtools, posing and, the most daunting, hard surface modelling.

The sculpt was great fun to do, especially the head. However, having sculpted it from one sphere, I realised after having created other parts of the character that I could have achieved better results by creating separate pieces and merging them into the head. The creation of the gun was quite time-consuming, probably at least six hours, but it was gratifying to see it come out so well. I’m looking forward to seeing what other tech I can create using Zbrush.

The paint over took a lot longer than I expected. It really is a case of the work having to be done somewhere along the pipeline. There’s always the temptation to get the model rendered and into photoshop as soon as I can, probably because I feel more comfortable painting as opposed to sculpting at this stage. Really though, the process could have been sped up if I’d taken that extra bit of time sharpening up the model. You live and learn….

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Tiny Fists

My girlfriend has declared pantry moths to be her mortal enemy. This picture is inspired by her efforts to destroy every last moth.

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Pentel Pocket Brush Pen

Picked me up some sweet brush pens the other day after seeing the work of this guy. Having inked over some previous sketches , I’ve found them to be a very controllable medium which allows you to create a variety of marks. Detailing is a little difficult at this stage, but they are great fun to use.

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Killeroo

Sequential Challenge #4 was based on the character Killeroo, created by Darren Close, who runs OzComics.com and so kindly sets up the challenges and supports the local comics community. I’m pleased to have been able to get this one done to show my appreciation for what he does. If it weren’t for him and his challenges I would not be so far down the comic artist road.

This was a fun strip to do, although I must say I loathe drawing motorcycles. I’d hoped to get it coloured but time ran out. Better to make sure the inks and lettering and such are finished off well, than rush the thing.

This will be my last entry into the Sequential Challenges for a while. I’m going to put my efforts into my own strip, so stay tuned.

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Zoot Suit

This started off as a quick update to make it ready for t-shirt printing, but now that it’s done I like it more than the original. If you’re interested in getting one of the t-shirts, I will be selling this as well as a few others at Supanova in Brisbane on November 9th. Me and a talented friend of mine by the name of Pete Yong with have a booth in Artist’s Alley where we will be selling various wares of an artistic nature, so please come down and say hello.

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Batman: Year Fifty

Having been away at the CDW Wellington last week, I didn’t get the opportunity to contribute to the OzComics.com challenge in time. Nevertheless, the script was there and I didn’t want to let it go to waste. The writer Matt Holcomb created a vivid image of what he wanted and even went so far as to supply imagery from which us artists could gain inspiration, varying from German expressionist cinema, to Citizen Kane and Alex Ross.

With this one I wanted to stick to just the penciling and inking, and forego colour in order to speed up my process. However, as I started adding more texture and tones it ended up taking about the same time as the previous two challenges. Perhaps I need to be more disciplined, but I really like the film grain quality the mid tone texture gave the images. It feels a lot more of a 1940’s style noir movie.

SEQUENTIAL CHALLENGE SCRIPT #03 ‘Batman: Year Fifty’

By Matt Holcomb

PANEL 1:

EXT. WAYNE MANOR – PRE-DAWN

On the other side of the tall, gothic gates of Wayne Manor, a familiar and iconic silhouette — cape, cowl and tall ears — makes its way toward the dark, castle-like mansion, perched on a mountain of mist. (CK ref. #3)

PANEL 2:

INT. WAYNE MANOR – BRUCE WAYNE’S BEDROOM

WIDE ON Bruce Wayne’s bedroom — vast and expressionistic, a giant fireplace cut into the wall on our right (CK ref. #4), old gym equipment to the left. Batman’s imposing shadow is cast over Bruce Wayne, the bed he’s sitting up in, and the wall behind.

CAPTION: He visits me every day, always before dawn — a spectre in shadow form.

PANEL 3:

The iconic Bat-Signal in the sky, projected onto clouds high above Gotham.

CAPTION: Not unlike the signal Jim Gordon would throw up to the sky for Batman whenever help was needed.

PANEL 4:

Batman and Jim Gordon back in the day, on the rooftop of the Gotham City Police Department — good friends deep in conversation.

CAPTION: Or whenever Jim needed someone to talk to.

PANEL 5:

MCU of Bruce sitting up in bed, shirtless and brooding, draped in Batman’s shadow. The octogenarian Bruce is still a beast of a man below the neck. (TH ref. #1)

CAPTION: Like Jim, perhaps Batman needs the company. And what better person than me — the one who created him.

PANEL 6:

Bruce is standing by his bed, scarred back to us, putting his black silk robe on, Batman’s shadow next to him, now smaller on the wall behind the bed. (AR ref. #1)

CAPTION: Abandoned him.

PANEL 7:

Bruce, silhouetted, silk robe flowing like Batman’s cape, is framed inside the door frame as he exits the bedroom, the door frame cutting into Batman’s shadow — it’s like Bruce is walking through Batman.

CAPTION: But I have nothing to say. Nothing to apologise for.

PANEL 8:

WIDE ON Bruce, who stands inside a narrow, slanted shaft of light in an otherwise shadowy Batcave. The vehicles. The lab, computer and surveillance equipment. The memorabilia: animatronic T-Rex, giant Lincoln penny, oversized Joker playing card — all covered in white drop sheets.

CAPTION: All I can do is continue to give Batman’s shadow a place to visit.

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AUTHOR’S NOTES

I have compiled some reference images for the script, some of which I’ve specifically cited. The original PDF document I sent to OzComics includes all reference images, but for some reason Facebook doesn’t allow for PDFs to be posted. So for anyone who wants to view the images (not fussed if you refer to them or not), then just copy and paste this link to download the original PDF:

http://tinyurl.com/9d9eb9o

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Concept Design Workshop – Wellington Day 5

Final day of the regular daily format of the Workshop and I’m excited to think of the artistic possibilities using Zbrush can unleash. Really enjoyed sculpting this chap. Really enjoyed painting him up too, complete with a scalp tattoo in homage to the talented Jacob Hina, who’s concepts can be found at his Order-in-Debris website. What to sculpt next? Hmm….

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Concept Design Workshop – Wellington Day 4

More Super-happy fun times at CDW in Wellington. First up, a future-trooper borrowing heavily from Aaron Beck’s work. For the real thing go here. Then there’s the knight’s head with some hand sculpted hair. I’m looking forward to rendering out and doing the paint over tomorrow.

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