Tag Archives: Illustration

Killeroo

Sequential Challenge #4 was based on the character Killeroo, created by Darren Close, who runs OzComics.com and so kindly sets up the challenges and supports the local comics community. I’m pleased to have been able to get this one done to show my appreciation for what he does. If it weren’t for him and his challenges I would not be so far down the comic artist road.

This was a fun strip to do, although I must say I loathe drawing motorcycles. I’d hoped to get it coloured but time ran out. Better to make sure the inks and lettering and such are finished off well, than rush the thing.

This will be my last entry into the Sequential Challenges for a while. I’m going to put my efforts into my own strip, so stay tuned.

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Zoot Suit

This started off as a quick update to make it ready for t-shirt printing, but now that it’s done I like it more than the original. If you’re interested in getting one of the t-shirts, I will be selling this as well as a few others at Supanova in Brisbane on November 9th. Me and a talented friend of mine by the name of Pete Yong with have a booth in Artist’s Alley where we will be selling various wares of an artistic nature, so please come down and say hello.

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Batman: Year Fifty

Having been away at the CDW Wellington last week, I didn’t get the opportunity to contribute to the OzComics.com challenge in time. Nevertheless, the script was there and I didn’t want to let it go to waste. The writer Matt Holcomb created a vivid image of what he wanted and even went so far as to supply imagery from which us artists could gain inspiration, varying from German expressionist cinema, to Citizen Kane and Alex Ross.

With this one I wanted to stick to just the penciling and inking, and forego colour in order to speed up my process. However, as I started adding more texture and tones it ended up taking about the same time as the previous two challenges. Perhaps I need to be more disciplined, but I really like the film grain quality the mid tone texture gave the images. It feels a lot more of a 1940’s style noir movie.

SEQUENTIAL CHALLENGE SCRIPT #03 ‘Batman: Year Fifty’

By Matt Holcomb

PANEL 1:

EXT. WAYNE MANOR – PRE-DAWN

On the other side of the tall, gothic gates of Wayne Manor, a familiar and iconic silhouette — cape, cowl and tall ears — makes its way toward the dark, castle-like mansion, perched on a mountain of mist. (CK ref. #3)

PANEL 2:

INT. WAYNE MANOR – BRUCE WAYNE’S BEDROOM

WIDE ON Bruce Wayne’s bedroom — vast and expressionistic, a giant fireplace cut into the wall on our right (CK ref. #4), old gym equipment to the left. Batman’s imposing shadow is cast over Bruce Wayne, the bed he’s sitting up in, and the wall behind.

CAPTION: He visits me every day, always before dawn — a spectre in shadow form.

PANEL 3:

The iconic Bat-Signal in the sky, projected onto clouds high above Gotham.

CAPTION: Not unlike the signal Jim Gordon would throw up to the sky for Batman whenever help was needed.

PANEL 4:

Batman and Jim Gordon back in the day, on the rooftop of the Gotham City Police Department — good friends deep in conversation.

CAPTION: Or whenever Jim needed someone to talk to.

PANEL 5:

MCU of Bruce sitting up in bed, shirtless and brooding, draped in Batman’s shadow. The octogenarian Bruce is still a beast of a man below the neck. (TH ref. #1)

CAPTION: Like Jim, perhaps Batman needs the company. And what better person than me — the one who created him.

PANEL 6:

Bruce is standing by his bed, scarred back to us, putting his black silk robe on, Batman’s shadow next to him, now smaller on the wall behind the bed. (AR ref. #1)

CAPTION: Abandoned him.

PANEL 7:

Bruce, silhouetted, silk robe flowing like Batman’s cape, is framed inside the door frame as he exits the bedroom, the door frame cutting into Batman’s shadow — it’s like Bruce is walking through Batman.

CAPTION: But I have nothing to say. Nothing to apologise for.

PANEL 8:

WIDE ON Bruce, who stands inside a narrow, slanted shaft of light in an otherwise shadowy Batcave. The vehicles. The lab, computer and surveillance equipment. The memorabilia: animatronic T-Rex, giant Lincoln penny, oversized Joker playing card — all covered in white drop sheets.

CAPTION: All I can do is continue to give Batman’s shadow a place to visit.

———————————

AUTHOR’S NOTES

I have compiled some reference images for the script, some of which I’ve specifically cited. The original PDF document I sent to OzComics includes all reference images, but for some reason Facebook doesn’t allow for PDFs to be posted. So for anyone who wants to view the images (not fussed if you refer to them or not), then just copy and paste this link to download the original PDF:

http://tinyurl.com/9d9eb9o

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Concept Design Workshop – Wellington Day 5

Final day of the regular daily format of the Workshop and I’m excited to think of the artistic possibilities using Zbrush can unleash. Really enjoyed sculpting this chap. Really enjoyed painting him up too, complete with a scalp tattoo in homage to the talented Jacob Hina, who’s concepts can be found at his Order-in-Debris website. What to sculpt next? Hmm….

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Concept Design Workshop – Wellington Day 4

More Super-happy fun times at CDW in Wellington. First up, a future-trooper borrowing heavily from Aaron Beck’s work. For the real thing go here. Then there’s the knight’s head with some hand sculpted hair. I’m looking forward to rendering out and doing the paint over tomorrow.

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Concept Design Workshop – Wellington Day 3

Busy day today. First up was this knight with his hunting dogs drawn during the Greg Broadmore session. Next up was the Ben Mauro session creation which was intended to be a werewolf of sorts, but has since come to resemble some sort of pig-man. A smug looking one at that. Lastly was this heavy duty shocktrooper, done during the Aaron Beck stint. Might put some more time into him tomorrow.

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Concept Design Workshop – Wellington Day 2

Today’s fresh produce from the Wellington CDW…

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Kristian

This is an illustration commissioned by a mate who is an open water swimmer. Here he is swimming in the waters off Sardinia, Italy. This was drawn in pencil, white chalk pencil and white paint pen.

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The Incredible Hulk

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This is my second entry for the Ozomics.com sequential challenge and stars The Incredible Hulk. It was written by Emmet O’Cuana and featured a couple of challenging panels, namely panels 4 and especially 5. I’ve tried a different approach from that used in the previous Shazam Challenge and it has yielded a higher level of finish. It still took quite some time to complete, however, so I am now thinking of doing only the inks for the next challenge, leaving out the colours in the hopes of furthering my understanding of the medium of comics.

As well as the finished page, I’ve included the pencil sketches I started will, for those interested. Below is the script:-

SEQUENTIAL CHALLENGE SCRIPT #02 – HULK

ONE-PAGER

Written by Emmet O’Cuana

OVERVIEW

The main action concerns the HULK in free fall, but with three panels at the top and three at the bottom which overlay the main image which extends to full bleed, drawing attention to what is happening in the shifting mind of BRUCE BANNER/HULK.

———————————

Panel 1

A single eye expanding beyond the frame, pupil fully dilated and iris strained through with green.

CAPTION: Did you ever have a dream…

Panel 2

A hand forming the shape of a claw as the fingers lengthen and swell, the metastasizing cells transforming the skin colour to a dark green. A glimpse of the blue sky can be seen in the background.

CAPTION: …so real you couldn’t tell it was a lie.

Panel 3

Mouth pulled back in a roar, teeth jutting forward, the visible skin also darkening in the same way.

CAPTION: Who is dreaming my dream?

Panel 4

Splash Panel, BANNER/HULK is halfway through the process of changing, his body a mass of straining muscles and bones jutting through flesh. Seconds away from fully becoming the Hulk, this is the moment when he is poised exactly between the two states. The tattered remains of a prison uniform are still visible. Evidently Banner had been captured and is now being used in a battle situation.

The air itself is full of fighter jets, explosions and debris. Banner has been tossed out from a great height in the middle of the battle, a reference to Millar/Hitch’s Ultimates #13.

CAPTION: This is what I was born for.

Panel 5

Cut to years before, in a coffee shop. YOUNG BANNER as a preppy young college student without glasses, wearing an open-necked red plaid flannel shirt, tousled hair, eyes vacant with a polite smile.

Opposite him is BECCA, wide-eyed and gesturing furiously. She has large hoop ear-rings dangling, her hair bunched up in a winding tower, bright purple eye-liner and a mismatched tie-dye green shirt together with a purple velvet jacket. She is resting one elbow on a stack of books on the table-top. Two large, bowl-like cups of coffee are in front of each of them. Becca’s has long gone cold, whereas Banner has obviously guzzled his down just to stay alert.

YOUNG BANNER (CAPTION): Just smile and nod at the pretty lady, smile and nod.

BECCA: “it just opened my mind. I realized I had this part of me, deep down, for so long.”

YOUNG BANNER: “Uh – huh.”

Panel 6

Close up on Banner’s face. He has moved his left hand to cover his mouth, and stifle a yawn.

YOUNG BANNER (CAPTION): Man I could be at that Digable Planets gig right now.

BECCA: “Because it’s all about asking the deeper questions, y’know, seeking true wisdom.”

Panel 7

Call back to the very first panel, a close up on Banner’s eye.

BECCA: “It’s all about choosing who you want to be. Who you were meant to be”

YOUNG BANNER (CAPTION): ♫nuclear is we different time different space/ uh oh planet earth we brought the mad bass♫

———————

NOTES:

The story is inspired by Rick Baker’s work in American Werewolf In London which showed the process of transformation of a man becoming a werewolf. Typically classic horror movies would have the mad scientist or werewolf victim disappear behind a counter, or have a slow series of transition shots showing the change. Baker went against the grain by trying to show as much of this process on camera. Given that Stan Lee was inspired by Jekyll and Mr Hyde for the Incredible Hulk, it seemed fitting.

Given the shifting timeline of the Marvel Universe, Banner is now a college student in the early 90’s, hence the music and clothing references (not to mention the giant cups of coffee). Digable Planets dropped references to existentialism and physics in their lyrics, so they seemed like a group Banner would like as an upper middle-class white kid wanting to seem cool.

———————

THE HULK and related characters are © Marvel Comics.

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SHAZAM!

Week #54 of the OzComics Drawing Challenge saw the introduction of a new challenge running in parallel, that of the Sequential Challenge. Entrants were given a script written by Lucas Testro and had to create one page of panels to depict it. The story revolves around a DC Comics characters Captain Marvel, aka Shazam, and the villain Parasite. For the uninitiated, Captain Marvel is the alter ego of Billy Batson who can morph between the two with the uttering of the word ‘Shazam’, while Parasite sucks the powers of his foes upon touching them.

Having entered a few of the Drawing Challenges, I was ready for a more ambitious challenge and can say that I really enjoyed it. There are a couple of areas on this page that I’d probably like to improve, but I’m fairly satisfied with the way all the work and exploration I did in my Drawing Challenge entries has come to bear. Definitely the furthest I have gone with a comic. Having a deadline definitely helps and I must thank Darren Close at OzComics.com for supporting the local comics scene and giving us this opportunity to grow and learn.

Comics is a medium that offers a something that other mediums cannot. It’s not just the words and images jelling correctly in the panels, but also the way in which those panels are laid out and relate to each other. Being relatively new to the medium, I find these dynamics fascinating. Below is the script, for those interested in comparing. Click on the image for the hi-res version.

Panel 1

Wide shot of Captain Marvel and Parasite smashing through a billboard advertising Fawcett City, which is on top of a city building. Parasite is clutching on to Cap, kind of riding him. He’s hulked up to a monstrous size, clearly having already sucked a lot of Cap’s Energy.

1. CAPTION: Can’t shake him.

2. CAPTION: Powers fading.

3. PARASITE: A few more seconds and all your powers will be mine, Captain Marvel. And there’s nothing you can do to stop it.

Panel 2

Tightish two-shot of Parasite and Cap. Parasite has one arm wrapped around Cap’s neck, choking him – and he’s clearly enjoying seeing Cap suffer. Cap’s trying to wrench Parasite’s arm free but he’s too exhausted to manage it. He looks on the point of unconsciousness. All seems lost.

1. PARASITE: Any last words?

2. CAPTAIN MARVEL: Just… one….

Panel 3

Close-up of Parasite, looking dismayed at what he’s hearing. He’s just realised he’s screwed.

1. CAPTAIN MARVEL: Shazam.

(nb make Cap’s dialogue here small and understated – he’s weakly sputtering it out, not shouting it.)

Panel 4

Big wide shot looking up at the sky from a city street, skyscrapers towering either side. A HUGE LIGHTING BOLT strikes two tiny figures far above.

1. SFX: KABOOOM!

Panel 5

High angle mid shot of 12 year old Billy Batson falling towards the city, his body slack, unconscious. In the background Parasite tumbles beneath him.

1. CAPTION: His conduit to Cap’s powers severed, Parasite plummets towards Earth.

2. CAPTION: But so does unconscious Billy Batson!

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