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The Incredible Hulk

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This is my second entry for the Ozomics.com sequential challenge and stars The Incredible Hulk. It was written by Emmet O’Cuana and featured a couple of challenging panels, namely panels 4 and especially 5. I’ve tried a different approach from that used in the previous Shazam Challenge and it has yielded a higher level of finish. It still took quite some time to complete, however, so I am now thinking of doing only the inks for the next challenge, leaving out the colours in the hopes of furthering my understanding of the medium of comics.

As well as the finished page, I’ve included the pencil sketches I started will, for those interested. Below is the script:-

SEQUENTIAL CHALLENGE SCRIPT #02 – HULK

ONE-PAGER

Written by Emmet O’Cuana

OVERVIEW

The main action concerns the HULK in free fall, but with three panels at the top and three at the bottom which overlay the main image which extends to full bleed, drawing attention to what is happening in the shifting mind of BRUCE BANNER/HULK.

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Panel 1

A single eye expanding beyond the frame, pupil fully dilated and iris strained through with green.

CAPTION: Did you ever have a dream…

Panel 2

A hand forming the shape of a claw as the fingers lengthen and swell, the metastasizing cells transforming the skin colour to a dark green. A glimpse of the blue sky can be seen in the background.

CAPTION: …so real you couldn’t tell it was a lie.

Panel 3

Mouth pulled back in a roar, teeth jutting forward, the visible skin also darkening in the same way.

CAPTION: Who is dreaming my dream?

Panel 4

Splash Panel, BANNER/HULK is halfway through the process of changing, his body a mass of straining muscles and bones jutting through flesh. Seconds away from fully becoming the Hulk, this is the moment when he is poised exactly between the two states. The tattered remains of a prison uniform are still visible. Evidently Banner had been captured and is now being used in a battle situation.

The air itself is full of fighter jets, explosions and debris. Banner has been tossed out from a great height in the middle of the battle, a reference to Millar/Hitch’s Ultimates #13.

CAPTION: This is what I was born for.

Panel 5

Cut to years before, in a coffee shop. YOUNG BANNER as a preppy young college student without glasses, wearing an open-necked red plaid flannel shirt, tousled hair, eyes vacant with a polite smile.

Opposite him is BECCA, wide-eyed and gesturing furiously. She has large hoop ear-rings dangling, her hair bunched up in a winding tower, bright purple eye-liner and a mismatched tie-dye green shirt together with a purple velvet jacket. She is resting one elbow on a stack of books on the table-top. Two large, bowl-like cups of coffee are in front of each of them. Becca’s has long gone cold, whereas Banner has obviously guzzled his down just to stay alert.

YOUNG BANNER (CAPTION): Just smile and nod at the pretty lady, smile and nod.

BECCA: “it just opened my mind. I realized I had this part of me, deep down, for so long.”

YOUNG BANNER: “Uh – huh.”

Panel 6

Close up on Banner’s face. He has moved his left hand to cover his mouth, and stifle a yawn.

YOUNG BANNER (CAPTION): Man I could be at that Digable Planets gig right now.

BECCA: “Because it’s all about asking the deeper questions, y’know, seeking true wisdom.”

Panel 7

Call back to the very first panel, a close up on Banner’s eye.

BECCA: “It’s all about choosing who you want to be. Who you were meant to be”

YOUNG BANNER (CAPTION): ♫nuclear is we different time different space/ uh oh planet earth we brought the mad bass♫

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NOTES:

The story is inspired by Rick Baker’s work in American Werewolf In London which showed the process of transformation of a man becoming a werewolf. Typically classic horror movies would have the mad scientist or werewolf victim disappear behind a counter, or have a slow series of transition shots showing the change. Baker went against the grain by trying to show as much of this process on camera. Given that Stan Lee was inspired by Jekyll and Mr Hyde for the Incredible Hulk, it seemed fitting.

Given the shifting timeline of the Marvel Universe, Banner is now a college student in the early 90’s, hence the music and clothing references (not to mention the giant cups of coffee). Digable Planets dropped references to existentialism and physics in their lyrics, so they seemed like a group Banner would like as an upper middle-class white kid wanting to seem cool.

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THE HULK and related characters are © Marvel Comics.

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SHAZAM!

Week #54 of the OzComics Drawing Challenge saw the introduction of a new challenge running in parallel, that of the Sequential Challenge. Entrants were given a script written by Lucas Testro and had to create one page of panels to depict it. The story revolves around a DC Comics characters Captain Marvel, aka Shazam, and the villain Parasite. For the uninitiated, Captain Marvel is the alter ego of Billy Batson who can morph between the two with the uttering of the word ‘Shazam’, while Parasite sucks the powers of his foes upon touching them.

Having entered a few of the Drawing Challenges, I was ready for a more ambitious challenge and can say that I really enjoyed it. There are a couple of areas on this page that I’d probably like to improve, but I’m fairly satisfied with the way all the work and exploration I did in my Drawing Challenge entries has come to bear. Definitely the furthest I have gone with a comic. Having a deadline definitely helps and I must thank Darren Close at OzComics.com for supporting the local comics scene and giving us this opportunity to grow and learn.

Comics is a medium that offers a something that other mediums cannot. It’s not just the words and images jelling correctly in the panels, but also the way in which those panels are laid out and relate to each other. Being relatively new to the medium, I find these dynamics fascinating. Below is the script, for those interested in comparing. Click on the image for the hi-res version.

Panel 1

Wide shot of Captain Marvel and Parasite smashing through a billboard advertising Fawcett City, which is on top of a city building. Parasite is clutching on to Cap, kind of riding him. He’s hulked up to a monstrous size, clearly having already sucked a lot of Cap’s Energy.

1. CAPTION: Can’t shake him.

2. CAPTION: Powers fading.

3. PARASITE: A few more seconds and all your powers will be mine, Captain Marvel. And there’s nothing you can do to stop it.

Panel 2

Tightish two-shot of Parasite and Cap. Parasite has one arm wrapped around Cap’s neck, choking him – and he’s clearly enjoying seeing Cap suffer. Cap’s trying to wrench Parasite’s arm free but he’s too exhausted to manage it. He looks on the point of unconsciousness. All seems lost.

1. PARASITE: Any last words?

2. CAPTAIN MARVEL: Just… one….

Panel 3

Close-up of Parasite, looking dismayed at what he’s hearing. He’s just realised he’s screwed.

1. CAPTAIN MARVEL: Shazam.

(nb make Cap’s dialogue here small and understated – he’s weakly sputtering it out, not shouting it.)

Panel 4

Big wide shot looking up at the sky from a city street, skyscrapers towering either side. A HUGE LIGHTING BOLT strikes two tiny figures far above.

1. SFX: KABOOOM!

Panel 5

High angle mid shot of 12 year old Billy Batson falling towards the city, his body slack, unconscious. In the background Parasite tumbles beneath him.

1. CAPTION: His conduit to Cap’s powers severed, Parasite plummets towards Earth.

2. CAPTION: But so does unconscious Billy Batson!

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Jimmy Cagney

A quick couple of hours well spent with Mr Cagney.

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The 34th Battalion

I’ve been lucky enough to get work on an exciting new film production being made here in Queensland, Australia. The 34th Battalion is about the exploits of a Australian soldiers on the western front in the Great War. Above you can see the initial teaser poster and two pieces of concept art I have worked on. More will follow and you can find out more about this fine production on their website.

“Jonathan Brown and his close friends, whose lives are full of family and commitments, are faced with a call of duty. A recruitment march has found its way to their small town. Jonathan’s decision is full of heartbreak and regrets. He will carry those with him through the war.

A gritty and powerful window into the past, Jonathan’s story brings a personal and human element to the concept of war. How will this gentle and kind man survive the horrors of the Western Front? How will he return?”

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Wolverine

Here’s this week’s OzComics entry. A bit of Wolverine taking on the Juggernaut. Similar screen tone approach as previous entries. Just trying to really nail down my technique for a bit of comic work I’ve got in mind. On this occasion I did the roughest of pencil sketches and took them into the tablet quick smart before drawing it up digitally, rather than doing a fairly finished pencil version, as is usually my method.

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Echelon Heavy Infantry

He never made it into the game, but this is one of my favourite designs from Stormrise. I was particularly inspired by Craig Mullins at this point and started off doing a quick thumbnail sketch before scanning it into the computer and painting him up in black and white. I then overlaid some colour and added detail and textures.

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Superman

A quick Superman image for the OzComics.com challenge this week. He’s never been one of my favourite Super Heroes, but I felt like having a crack at him. As ever, it’s telling a snippet of a story, albeit a daft one.

This one began life as a sketch in my pad before being transferred to my ASUS Slate tablet PC. Having purchased the kit over half a year ago, I had been neglecting it. I picked it up again when I went for a Drink’n’Draw session last week and I really felt we bonded, finally.

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CGMA Environment Design 1 with James Paick – week 8

Having not attended a Q & A session for my online class all semester, I finally made it to one at the ungodly hour of 4:30am. I had to attend at least one and it was good to be able to be there and communicate with James and to be able to thank him. I have come on leaps and bounds having taken the class. It has given me a lot of confidence in tackling environments and more ambitious concept pieces than I thought it would. Well worth it.

So here are the final pieces. With the top one I added a few more dragons in front of the mountain side so they would look as if they were swarming over it more. I also pushed the castle back a bit by adding a little haze to the upper reaches. The bottom pic went through a more drastic overhaul since the last update. I implemented the advice that was given, sharpened up a lot of areas and included the seagulls which gives the whole piece more depth.

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Stormtroopers

This is one of my favourite images. After spending the whole weekend playing the original World War 2 game Medal of Honour on Playstation 1 back in my Uni days, I came up with this image of three nazi stormtroopers are making their way through the driving snow in a determined fashion.

It was created before the advent of my getting photoshop, using pencil and paper initially, before laboriously inking everything in with a humble felt tip pen. Having drawn the soldiers first, I originally drew the snow circular, but tben struck upon the idea of drawing them elliptical, which allowed me to suggest the direction and force of the snow storm and give the image it’s power.

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CGMA Environment Design 1 with James Paick – weeks 6 & 7

Week’s six and seven of the Environment Design 1 course focused on refining a one design each from week 5’s thumbnails. The use of photographs, to help not only texture the image, but also as a way of creating new shapes and designs was explored.

The top image is Week 7’s effort. I felt I owed the course a real solid effort, since last Week 6’s image (bottom) coincided with my trip back to Australia from the UK and I wasn’t able to give it the attention it deserved. I went with a more fantasy style image, with a castle stretching out to the sea being marched on by an army. I took the thumbnail and pretty much painted it again from scratch, making use of the painting on top of photos idea.

The bottom image is Week 6’s effort. This was probably the most successful of the thumbnails from Week 5, and certainly the most intriguing point of view. I used photos in this one to enrich the mechanics of the water mills design. This image was going in the right direction, but I was unable to give it the attention it needed to really make it look finished. Perhaps I will return to it and finish it off in the coming days.

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